和看之前的想象差不多，《死者》前2/3是很好改編的。生動(dòng)暗諷的對(duì)話，聚餐、舞會(huì)、音樂(lè)，電影的視聽(tīng)藝術(shù)把原著中無(wú)法感知（但又非常需要具像化體驗(yàn)）的部分呈現(xiàn)出來(lái)，聽(tīng)到《盛裝待嫁》和《奧芙里姆的少女》很滿足，歌詞都太美了，原文里只有節(jié)選的歌詞，前者甚至沒(méi)有歌詞。
相比之下，后1/3簡(jiǎn)直是改編災(zāi)難，但問(wèn)題在于，怎么表現(xiàn)喬伊斯詩(shī)一般的語(yǔ)言？怎么展現(xiàn)人物的意識(shí)流和內(nèi)心獨(dú)白？喬伊斯用詩(shī)的語(yǔ)言呈現(xiàn)加布里埃爾對(duì)愛(ài)情和婚姻煽情的、濫情的回憶和想象，在格麗塔對(duì)一個(gè)為自己而死的男孩的敘述面前

Donal Og
It is late last night the dog was speaking of you;
the snipe was speaking of you in her deep marsh.
It is you are the lonely bird through the woods;
and that you may be without a mate until you find me.
You promised me, and you said a lie to me,
that you would be before me where the sheep are flocked;
I gave a whistle and three hundred cries to you,
and I found nothing there but a bleating lamb.
You promised me a thing that was hard for you,

“死者”殿堂級(jí)！我們都將成為幻影
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