紀錄片式的電影，第四堵墻的打破，一個家庭主婦版Ulysses在巴黎的漫游（flaneur）與絮語（fragments d'un discours），一群女性詩意的獨白合鳴，思考越戰(zhàn)、賣淫、城市環(huán)境等社會問題的大雜燴。電影中正在生成和擴建的巴黎遠不如50年代塔蒂Play Time里高度現(xiàn)代化的Tati Ville有趣，而是陷入喧嘩與騷動，于是普通男女的內心也和著這節(jié)奏發(fā)出不安分的震顫，從生活的表層抽取出哲思，碎片化地訴說著語言的無力、人生的虛實、思想與現(xiàn)實的距離。戈達爾使盡渾身解數(shù)牽引觀眾的全部注意力。他的鏡頭總是塞得太慢

Possibly one of the most obscure Godard films. He focuses on objectivity (thing, me) and subjectivity (I) (as Juliette says: me, myself, and I, all of us./The world is me; I am the world): prostitution turns humans into products; products become the mediatation of human interaction (two women reading the same magazine).
He also focues on the means of exchange: commercial exchange, linguistic exchange and sexual exchange.
Aesthetically speaking, the use of close-ups: close-up of objects (coffee, cigarette) and of women's faces. Also the whispering narrative, which creates a sense of intimacy and requires the audience's full attention.
The word "elle" in the title could refer to Juliette, or the Paris region. But what are the 2 or 3 things still remains a question mark.

看到這個電影居然只有一篇長評，不過上面那人的標題我想起之前寫過的一篇妓女與哲學家的文章，結果引起了圍攻，那是我第一次見識網(wǎng)絡圍攻的力量，不過本人挺無所謂的，我挺討厭一開口什么事都和道德扯的人，就像書金閣寺里那些個虛偽的人一樣，人生在世不就是一葉扁舟隨波逐流么
不過話說回來，看法國人的電影也是一門課程，最重要的就是對藝術的感覺，細膩而溫柔的觸覺感

盛宴喜劇片 《我略知她一二》：我在夢里看見了合體人
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